If I don’t, I fail.’ Her teacher seems sensitive to the challenges of nurturing a young talent and encouraged her to turn down, for now, an offer of representation from the same agency that represents Itzhak Perlman and Sarah Chang, two of SooBeen’s heroes: ‘We need a few more years for her to mature, for her to know herself and to be able to handle all that a professional musician should be ready for.’ Despite her success and remarkable playing, SooBeen doesn’t seem to let it go to her head: ‘I don’t think I’m a genius. SooBeen began playing the violin aged six, having badgered her mother for lessons. She has attracted the attention of Kyung-Wha Chung, the renowned Korean violinist, who admitted to being ‘astounded’ by her playing. In 2012, she came second in the junior section of the Yehudi Menuhin Competition, and in 2013, at the age of 13, she won the junior section at the International David Oistrakh Violin Competition. SooBeen Lee, now 16, has been stunning audiences with her musical maturity, flawless technique and beautiful tone for years. Shevelevich, who is harp soloist at the Mariinsky Theatre and also one of Alisa’s teachers, immediately knew that she was a great talent and has said, ‘I’m still struck with awe every time I hear her play. Petersburg Philharmonic Hall and regularly performs at festivals around Germany and Russia. Now 13, she has performed at Carnegie Hall, the St. This young harpist was discovered six years ago when a family friend, renowned harpist Olga Shevelevich, taught her a piece of music, which she picked up on the spot despite having never touched the instrument. It is clear that Alma won’t be living in Mozart’s shadow for long and is very quickly becoming an artist in her own right. Daniel Barenboim said of Alma, ‘Everything that cannot be learned, she already has.’ In 2016, her new full-length opera, Cinderella, will be premiered in Vienna. Hers is a truly remarkable talent: not just an impressive violinist and pianist, she is a gifted composer, writing music that has been praised for its complexity and maturity. A piano sonata followed at age six and a short opera at age seven. I think I would prefer to be a little Alma.’ The comparisons are unsurprising, however Alma started playing the piano at age two, the violin at age three, and was soon was improvising little melodies. When asked about the comparison, she said, ‘I actually think that if I was again a little Mozart then it would be a bit boring…I would write exactly what Mozart had written before. She has been christened the new Mozart, but it seems that Alma Deutscher, a prodigiously talented 11-year-old, would just rather be herself. ![]() As his voice deepens with age, Aksel hopes to pursue a musical career as a tenor or countertenor.Īlma Deutscher (11) – Composer, pianist & violinist The jury described him as ‘a rare musical talent’ and a ‘master…with formidable artistic ability’. Widely praised for his richness of tone and instinctive, innate musicality, Aksel gained prominence when he won first prize for his age group in the 2014 Norwegian Music Competition for Youth. The young Norwegian boy soprano may be only 13 years of age, but he has already recorded with the Orchestra of the Age of Enlightenment, sung with the Oslo Philharmonic and performed for the Prime Minister, Crown Prince and Princess of Norway. He has a daughter who still lives in Queensbridge, Queens.Singers often make headlines much later due to the dangers of training young voices, but Aksel Rykkvin is most certainly an exception. He is of Puerto Rican and African American descent. The album was released independently through Monopolee Records, which Noyd helped to found and released under his full control, preventing issues that happened with Landspeed and Tommy Boy Records. In 2004, Big Noyd released his third album, On the Grind, also featuring many guest-spots by Mobb Deep-related artists. Noyd attributes the lackluster sales to Landspeed Records' (which became Traffic Entertainment Group) filing for bankruptcy in an unrelated lawsuit just as the album was being released. This album, just as his debut, had many Mobb Deep-related features. In 2003, Big Noyd returned with his second album, Only The Strong. According to Prodigy, the album sold a "disappointing 30,000 copies". Noyd was incarcerated at the time of its release. His debut album Episodes Of A Hustla was released in 1996 on Tommy Boy Records. He explained later that he received his first contract, for $300,000, from Tommy Boy because of his verse on "Give Up The Goods (Just Step)". He appeared on "Right Back At You" & " Give Up the Goods (Just Step)". ![]() Big Noyd's debut was his verse on "Stomp 'Em Out" from Mobb Deep's 1993 debut Juvenile Hell, but it was not until 1995, on Mobb Deep's album The Infamous, that Big Noyd attracted wider attention.
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